A review of 'Bad Boy Billionaires' which delves into the lives of Vijay Mallya, Nirav Modi and Subrata Roy. The series is available on Netflix and let's see how it is. Bad Boy Billionaires is the Indian version of the popular international.
Expect lots of over-the-top action violence, with guns and shooting (including a high-powered sniper rifle), blood spurts. The comedic chemistry of Martin Lawrence and Will Smith has to do a lot of heavy lifting in "Bad Boys for Life," the third buddy-cop action movie to feature the pair as maverick Miami detectives. Directed by Adil El Arbi, Bilall Fallah.
With Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig. Violent cop movie has cursing, drugs, explosions. Read Common Sense Media's Bad Boys review, age rating, and parents guide. 'Bad Boys for Life' Film Review: Will Smith and Martin Lawrence Go Over the Top, Again It's an improvement over "Bad Boys II," but this late-in-the-game sequel still traffics in slick. Action movies now belong to long-running franchises like Fast & Furious and Mission: Impossible, a. This movie is so good-looking it deserves a decent screenplay, instead of one more lope down memory lane. The movie gives us a Miami filled with midnight glitz, shot with the flair of a fashion photographer - backlit monochrome tilt shots and all.
Trailer Bad Boy
Bad Boy is a Hindi romantic comedy film starring Namashi Chakraborthy Review: 'Bad Boys for Life' is a meditation on mortality — sort of Martin Lawrence, left, and Will Smith reunite in "Bad Boys for Life." (Kyle Kaplan) Bad Boys is a series of American action comedy films created by George Gallo. It stars Will Smith and Martin Lawrence as two detectives in the Miami Police Department, Mike Lowrey and Marcus Burnett. Joe Pantoliano and Theresa Randle also appear in all three films.
Michael Bay directed the first two films and Adil & Bilall helmed the third. Gabrielle Union, who starred in the second installment. The result is a fun, explosive, and surprisingly thoughtful action movie that manages to thread the needle between the pyrotechnics of vintage Jerry Bruckheimer and the softer, more forward-thinking demands of contemporary multiplex fare. It may not be as raw as "Bad Boys," but it's more.