"The Rhythm Section" comes from James Bond producers Michael G. The Rhythm Section is an ironic title for this movie, which ultimately hits all the wrong beats and is off-balance from the start. Louis). "The Rhythm Section" suggests they want to extend a multifilm license to kill to a female character. (Spoiler alert: Burnell's novel was the first in a series.) But this picture makes an .

Where another movie might dig deeper into the terrorism of the plane crash, Stephanie only cares about learning who had a hand in killing her family, so that. The Rhythm Section review - Blake Lively on a thrilling quest for revenge.. The movie is an interesting mix of Le Carré/Ludlum locations, invoked with jittery, paranoid urgency - with a.

The Rhythm Section

The Rhythm Section movie reviews & Metacritic score: Stephanie Patrick (Blake Lively) is an ordinary woman on a path of self-destruction after her family is tragically killed in a plane crash. With Blake Lively, Richard Brake, Elly Curtis, David Duggan. A woman seeks revenge against those who orchestrated a plane crash that killed her family. Review: Blake Lively and gritty 'The Rhythm Section' is plagued by a shaky adaptation Sterling K. Brown and Blake Lively in the movie "The Rhythm Section." (Jose Haro / Paramount Pictures) She trains to gain the skills she needs for some sweet revenge! Based on the novel by Mark Burnell, from director Reed Morano ("The Handmaid's Tale") and the producers of the James Bond film series, The Rhythm Section also stars Jude Law and Sterling K.

Trailer The Rhythm Section

The Rhythm Section review: Nonsensical and dull movie for masochists Bombing at the box office, Blake Lively's movie is on track to lose tens of millions of dollars. Chris Stuckmann reviews The Rhythm Section, starring Blake Lively, Jude Law, Sterling K. At least that's how Stephanie Patrick sees it..

But it's possible to look at The Rhythm Section as something of a cautionary message about the dangers of seeking violent retribution. Stephanie's choice to seek vengeance—and the physical and emotional pain she must go through to get it—is an. Blake Lively receives above-the-title billing in The Rhythm. T he Rhythm Section is a movie — ostensibly — about a grief so devastating, so soul-shattering, that it prompts its protagonist to undergo not one but two radical, life-altering personal paradigm shifts in the course of a mere few years, the sort of realignment after which one barely recognizes oneself.